On Wednesday the train gang opened the huge train kiln at Shadbolt Centre. By the time I got there at 1pm all the pots had been arranged on three large ware carts according to whether the work was front, middle or back in the kiln. There was a fine warm colour to all the work and happy faces on the workshop participants.

I took photos of some of the work and stayed to hear the group critique of two selected pieces from each group member. It’s always interesting to listen to opinions on results like this, whether the form or the surface works, what were the intentions of the maker.

There was also a silent auction of the pieces Tony had brought for the firing. They’re typical of his particular style which has evolved to take advantage of the bold effects he can coax out of a wood firing. Pieces are glazed inside and the outsides often have generously applied slips which can enhance the ash and flame effects.

Tony gave me my choice of one of his three many-handled bowls in thanks for our hospitality. We’ll be very happy to add this distinctive bowl to our treasured ceramic collection.

When it was all over a tired man returned to our house and we three walked a few blocks to a nearby Craft Brewery, Yellow Dog, for a well-earned local pint. The we walked across the road to the ocean-side restaurant in Rocky Point Park, The Boathouse where Tony treated Alan and me to a fine seafood meal.

Billetting Shadbolt Centre’s visiting ceramic artists is something we’ve always enjoyed doing and this time was no exception. Tony and I had not met before and I’ve thoroughly enjoyed his company. What else would you expect from someone who’s spent his whole life in the clay world?