I had to do two glaze firings recently to accommodate all my recent work and the plates, tiles and leaves of my friends. The 'Port Painters' had painted plates and tiles, Maria brought a super fish later and then Eliza asked if I would glaze fire her new low-fire experiments with my clear glaze. Judith Atkinson experimented with a small coupe plate and then drew…
I finally unloaded a much-delayed kiln-load this week and my much-recovered husband was able to resume his role as my pot photographer. The work that has waited the longest to be fired is that made by my visitors from Austin, Texas back in October. Their very varied collection of tiles have all turned out well, so now I must pack those up and hope Canada…
Now that Alan is slowly recovering from his surgery I am finding time to get into my studio again. Local artist and TriCity Potter Gay Mitchell asked if she could come and paint any tiles that I have left over from workshops. She has a show scheduled for Gallery Bistro here in Port Moody at the end of November and I believe she'd like some…
My recent kiln firing included work by four TriCity Potters and Burnaby artist Bill Thomson. Felicia Hsieh usually works in cone 10 stoneware at Shadbolt Centre and has had her work fired in their reduction gas kiln and in the salt/soda kiln there. So her day with earthenware was a new experience for her. She worked very carefully, using two red earthenware oval plates, applying…
Here are some more photos from the V & A Museum, taken the next day, October 2nd, when Al accompanied me there. We had spent the morning at the ever-popular Portobello Road Antique Market. There still wasn't time to see all the Ceramics, let alone any other part of this great museum. Today's photos show shelves of English salt-glazed wine bottles, oodles of Iznik ware…